George Stubbs  
George Stubbs

George Stubbs, (born Aug. 24, 1724, Liverpool, Eng.—died July 10, 1806, London), outstanding English animal painter and anatomical draftsman.

The son of a prosperous tanner, Stubbs was briefly apprenticed to a painter but was basically self-taught. His interest in anatomy, revealed at an early age, became one of the driving passions of his life. His earliest surviving works are 18 plates etched for Dr. John Burton’s Essay Towards a Complete New System of Midwifery (1751). In the 1750s Stubbs made an exhaustive analysis of the anatomy of the horse. He rented a farmhouse in a remote Lincolnshire village, where, over a period of 18 months, he undertook the painstaking dissection of innumerable specimens. After moving permanently to London in 1760, Stubbs etched the plates for Anatomy of the Horse (1766), which became a major work of reference for naturalists and artists alike. Stubbs soon established a reputation as the leading painter of portraits of the horse. His masterly depictions of hunters and racehorses brought him innumerable commissions. Perhaps more impressive than the single portraits are his pictures of informal groups of horses, such as Mares and Foals in a Landscape (c. 1760–70).

Stubbs also painted a wide variety of other animals, including the lion, tiger, giraffe, monkey, and rhinoceros, which he was able to observe in private menageries. According to the artist Ozias Humphrey, Stubbs was so convinced of the importance of observation that he visited Italy in 1754 only to reinforce his belief that nature is superior to art. Among Stubbs’s best-known pictures are several depicting a horse being frightened or attacked by a lion (Horse Frightened by a Lion, 1770) in which he emphasizes the wild terror of the former and the predatory power of the latter.

Stubbs’s historical paintings are among the least successful of his works; much more convincing are his scenes of familiar country activities done in the 1770s. Unfortunately, he tended to execute his paintings in thin oil paint, and relatively few survive in undamaged condition. In later life Stubbs knew considerable hardship. His last years were spent on a final work of anatomical analysis: A Comparative Anatomical Exposition of the Structure of the Human Body, with that of a Tiger and Common Fowl, for which he completed 100 drawings and 18 engravings. The Anatomical Works of George Stubbs was published in 1975.

Encyclopædia Britannica



Oil on canvas, 325 x 259 cm
Private collection

A Horse Frightened by a Lion

William Anderson with Two Saddle-horses
Oil on canvas, 102,2 x 127,9 cm
Royal Collection, Windsor

The Milbanke and Melbourne Families
c. 1769
Oil on canvas, 97 x 149 cm
National Gallery, London

Lion Devouring a Horse


Oil on wood, 89,5 x 132,5 cm
Tate Gallery, London

The Grosvenor Hunt

Dame und Herr in einem Phaeton

Der Phaeton des Prince of Wales


Die Jager verlassen Southill

Gepard mit zwei indischen Dienern und einem Hirsch

Gimcrack mit einem Reitknecht auf Newmarket Heath


Pferde in einer Landschaft

Portrat der Isabella Saltonstall als Una

Lion Attacking a Horse


Portrat des Jockeys John Lar

Portrat des John Nelthorpe als Kind

Soldaten des 10. Dragonerregiments

Mother and Child

Portrait of a Young Gentleman Out Shooting

Newmarket Heath, with a Rubbing Down House


Lion Attacking a Horse

Yeguas y potros en un paisaje

Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sis


A Couple of Foxhounds