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  Theodore Rousseau  
 
 
 
 
 
 
 
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Theodore Rousseau
 
 
 
 
Theodore Rousseau, in full Pierre-Étienne-Théodore Rousseau (born April 15, 1812, Paris, France—died December 22, 1867, Barbizon), French painter who was a leader of the Barbizon school of landscape painters. His direct observation of nature made him an important figure in the development of landscape painting.

Rousseau, the son of a tailor, began to paint at age 14. In the 1820s he began to paint out-of-doors directly from nature, a novel procedure at that time. Although his teachers were in the Neoclassical tradition, Rousseau based his style on extensive study of the 17th-century Dutch landscape painters and the work of such English contemporaries as Richard Parkes Bonington and John Constable. His early landscapes portray nature as a wild and undisciplined force and gained the admiration of many of France’s leading Romantic painters and writers.

In 1831 Rousseau began to exhibit regularly at the French Salon. But in 1836 his Descent of the Cattle (c. 1834) was rejected by the jury, as were all his entries during the next seven years. Despite the Salon’s censure, his reputation continued to grow.

Rousseau first visited the Fontainebleau area in 1833 and, in the following decade, finally settled in the village of Barbizon, where he worked with a group of landscape painters, including Jean-François Millet, Jules Dupré, Narcisse-Virgile Diaz de La Peña, and Charles-François Daubigny. Their artistic goals were similar, and they became known collectively as the Barbizon school. During this period Rousseau produced such tranquil pastorals as Under the Birches, Evening (1842–44), reflecting the influence of Constable.

After the Revolution of 1848, the Salon briefly relaxed its standards, and Rousseau finally received official recognition as a major figure in French landscape painting. His works were well represented in the Universal Exposition of 1855, and he became president of the fine-arts jury for the Universal Exposition of 1867. Rousseau’s paintings represent in part a reaction against the calmly idealized landscapes of Neoclassicism. His small, highly textured brushstrokes presaged those of the Impressionists.

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A Clearing in the Forest of Fontainebleau
 
 
 

Cottage in a Clump of Trees
 
 
 

Edge of the Forest of Fontainebleau
 
 
 

Late Fall
 
 
 

Glade of the Reine Blanche in the Fontainebleau Forest
 
 
 

Landscape with Peasant Watering her Cows
 
 
 

Lanscape with Farmland
 
 
 

The Colliers' Hut in the Forest of Fontainebleau
 
 
 

Fall at the Jean-du-Paris, in the Forest of Fontainebleau
 
 
 

The Forest of Fontainbleau, Morning
 
 
 

Lande de la Glandee, Forest of Fontainebleau
 
 
 

The Cave in a Cliff near Granville
 
 
 

The Edge of the Woods at Mont Gerard, Fontainebleau Forest
 
 
 

The Heath
 
 
 

The Jetty at the Port of Granville
 
 
 

Cottages near a Pond
 
 
 

Bourg en Auvergne
 
 
 

Cluster of Tall Trees Overlooking the Plain of Clair-Bois, Forest of Fontainebleau
 
 
 

Edge of the Forest, Setting Sun
 
 
 

Gathering Wood in the Forest of Fontainebleau
 
 
 

The Gorges d'Apremont at Modday
 
 
 

Landscape
 
 
 

Landscape with Poplars
 
 
 

The Little Bridge in the Forest
 
 
 

The Forest of Clairbois
 
 
 

Landscape of Jura, Arbois
 
 
 

The Church of Saint Lou d'Esserant in the Oise
 
 
 

Cows Returning from the Mountainside
 
 
 

Landscape in the Auvergne
 
 
 

Landscape with a Stormy Sky
 
 
 

Landscape with Bridge
 
 
 

Landscape with a Ploughman
 
 
 

The Great Oaks of the Vieux Bas-Breau
 
 
 

Cottages in the Jura
 
 
 

Figures in a Landscape
 
 
 

Forest Interior
 
 
 

Le Fôret
 
 
 

House and Trees
 
 
 

Flower Study
 
 
 

Landscape with a Boat in the Foreground
 
 
 

The Forest in Winter at Sunset
 
 
 

 
 
 
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