TIMELINE OF WORLD HISTORY
 

Loading
 
 
 
 
 

 
 
 
 
 
     
     
  Jose de Ribera

1 - 2
 
 
 
 
 
 
 
 
CONTENTS
  BACK NEXT    
 
 
 
 
 
 
Jose de Ribera
 
 
 
 
José de Ribera, José also spelled Jusepe, Josef, or Giuseppe, byname Lo Spagnoletto (Italian: “The Little Spaniard”) (baptized February 17, 1591, Játiva, Spain—died September 2, 1652, Naples [Italy]), Spanish painter and printmaker, noted for his Baroque dramatic realism and his depictions of religious and mythological subjects.

He was born in Spain but spent most of his life in Italy. Little is known of his life in Spain, though he is said by the painter and biographer Antonio Palomino de Castro y Velasco to have received his first training there under Francisco Ribalta. It is not known when he went to Italy, but there is evidence that as a young man he worked in Parma and Rome. In 1616 he married in Naples, then under Spanish rule, where he remained the rest of his life. In 1626 he signed as a member of the Roman Academy of St. Luke and in 1631 as a knight of the Papal Order of Christ, although he always retained his Spanish identity.

The whole of Ribera’s surviving work appears to belong to the period after he settled in Naples. His large production comprises mainly religious compositions, along with a number of classical and genre subjects and a few portraits. He did much work for the Spanish viceroys, by whom many of his paintings were sent to Spain. He was also employed by the Roman Catholic Church and had numerous private patrons of various nationalities. His paintings were widely imitated and copied in Spain. From 1621 onward there are numerous signed, dated, and documented works from Ribera’s hand.

Ribera’s paintings are austere or gloomy in mood and can be rather dramatic in their presentation. The chief elements of Ribera’s style, tenebrism (dramatic use of light and shadow) and naturalism, are used to emphasize the mental and physical suffering of penitent or martyred saints or tortured gods. Realistic detail, often horrific, is accentuated by means of coarse brush marks on thick pigment to represent wrinkles, beards, and flesh wounds. Ribera’s technique is characterized by sensitivity of outline and the sureness with which he rendered the changes from brilliant light to darkest shadow.

In addition to paintings, Ribera was one of the few 17th-century Spanish artists to produce numerous drawings, and his etchings were among the finest produced in Italy and Spain during the Baroque period.

Encyclopædia Britannica
 
 
 


Calvary
1616-18
Oil on canvas
Patronato de Art, Osuna





Sense of Taste
1613-16
Oil on canvas, 117 x 88 cm
Wadsworth Atheneum, Hartford







St Andrew
1630-32
Oil on canvas, 123 x 95 cm
Museo del Prado, Madrid



Archimedes
1630
Oil on canvas, 125 x 81 cm
Museo del Prado, Madrid



Martyrdom of St Philip
1639
Oil on canvas, 234 x 234 cm
Museo del Prado, Madrid



Magdalena Ventura with Her Husband and Son
1631
Oil on canvas, 196 x 127 cm
Museo Fondación Duque de Lerma, Toledo






The Duel of Isabella de Carazzi and Diambra de Pottinella
1636
Oil on canvas, 235 x 212 cm
Museo del Prado, Madrid



St Jerome
1637
Oil on canvas, 128,5 x 102 cm
Galleria Doria-Pamphili, Rome






St Jerome and the Angel of the Last Judgement
1626
Oil on canvas, 262 x 164 cm
Museo e Galleria Nazionali di Capodimonte, Naples



The Martyrdom of St Andrew
1628
Oil on canvas, 209 x 183 cm
Museum of Fine Arts, Budapest



St Sebastian Tended by the Holy Women
1621
Oil on canvas, 180,3 x 231,6 cm
Museo de Bellas Artes, Bilbao

 
 
 
 
 


Matthew with the Angel
1613




Clubfooted Boy
1642
Oil on canvas, 164 x 92 cm
Musee du Louvre, Paris






Apollo Flaying Marsyas
1637
Oil on canvas, 202 x 255 cm
Musees Royaux des Beaux-Arts, Brussels



Apollo and Marsyas
1637
Oil on canvas, 182 x 232 cm
Museo Nazionale di San Martino, Naples



Jacob Receives Isaac's Blessing
1637
Oil on canvas, 129 x 289 cm
Museo del Prado, Madrid



St Christopher
1637
Oil on canvas, 127 x 100 cm
Museo del Prado, Madrid



Mater Dolorosa
1638
Oil on canvas, 77 x 64 cm
Staatliche Museen, Kassel



The Holy Family
1639
Oil on canvas, 253 x 196 cm
Museo de Santa Cruz, Toledo



The Holy Family with St Catherine
1648
Oil on canvas
Metropolitan Museum of Art, New York





Jacob's Dream
1639
Oil on canvas, 179 x 233 cm
Museo del Prado, Madrid

 
 
 
 
 


Allegory of Touch
1613
Oil on canvas
Norton Simon Foundation, Pasadena
 
 
 
 


St Peter
Oil on canvas, 75 x 63 cm
The Hermitage, St. Petersburg

 
 
 
 
 


Landscape with Shepherds
1639
Oil on canvas, 128 x 269 cm
Dukes of Alba, Salamanca

 
 
 

 
 
 
CONTENTS
  BACK NEXT    
 
 
     

t face="Verdana" size="2" color="#000000"> NEXT