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  Alexej von Jawlensky  
 
 
 
 
 
 
 
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Alexej von Jawlensky
 
 

Self-portrait, 1905
 
 
Alexej Georgewitsch von Jawlensky (13 March 1864 – 15 March 1941) was a Russian expressionist painter active in Germany. He was a key member of the New Munich Artist's Association (Neue Künstlervereinigung München), Der Blaue Reiter (The Blue Rider) group and later the Die Blaue Vier (The Blue Four).


Life and work

Alexej von Jawlensky was born in Torzhok, a town in Tver Governorate, Russia, as the fifth child of Georgi von Jawlensky and his wife Alexandra (née Medwedewa). At the age of ten he moved with his family to Moscow. After a few years of military training, he became interested in painting, visiting the Moscow World Exposition c. 1880. Thanks to his good social connections, he managed to get himself posted to St. Petersburg and, from 1889 to 1896, studied at the art academy there, while also discharging his military duties. Jawlensky gained admittance to the circle of Ilya Repin, where he met Marianne von Werefkin, one of Repin's former students and a wealthy artist four years Jawlensly's senior who gave up her career to promote his work and provide him with a comfortable lifestyle.

Free to pursue his artistic vision, he moved to Munich in 1894, where he studied in the private school of Anton Ažbe. In 1905 Jawlensky visited Ferdinand Hodler, and two years later he began his long friendship with Jan Verkade and met Paul Sérusier. Together, Verkade and Sérusier transmitted to Jawlensky both practical and theoretical elements of the work of the Nabis, and Synthetist principles of art.

In Munich he met Wassily Kandinsky and various other Russian artists, and he contributed to the formation of the Neue Künstlervereinigung München. His work in this period was lush and richly coloured, but later moved towards abstraction and a simplified, formulaic style. Between 1908 and 1910 Jawlensky and Werefkin spent summers in the Bavarian Alps with Kandinsky and his companion Gabriele Münter. Here, through painting landscapes of their mountainous surroundings, they experimented with one another’s techniques and discussed the theoretical bases of their art. Following a trip to the Baltic coast, and renewed contact with Henri Matisse in 1911 and Emil Nolde in 1912, Jawlensky turned increasingly to the expressive use of colour and form alone in his portraits.

Expelled from Germany in 1914, he moved to Switzerland. He met Emmy Scheyer in 1916 (Jawlensky gave her the affectionate nickname, Galka, a Russian word for jackdaw), another artist who abandoned her own work to champion his in the United States. After a hiatus in experimentation with the human form, Jawlensky produced perhaps his best-known series, the Mystical Heads (1917–19), and the Saviour’s Faces (1918–20), which are reminiscent of the traditional Russian Orthodox icons of his childhood.

In 1922, after marrying Werefkin’s former maid Hélène Nesnakomoff, the mother of his only son, Andreas, born before their marriage, Jawlensky took up residence in Wiesbaden. In 1924 he organized the Blue Four, whose works, thanks to Scheyer’s tireless promotion, were jointly exhibited in Germany and the USA. From 1929 Jawlensky suffered from progressively crippling arthritis, which necessitated a reduced scale and finally forced a cessation in his painting in 1937. He began to dictate his memoirs in 1938. He died in Wiesbaden, Germany, on 15 March 1941. He and his wife Helene are buried in the cemetery of St. Elizabeth's Church, Wiesbaden.

Legacy
In November 2003 his Schokko (Schokko mit Tellerhut) sold for US$9,296,000 and in February 2008 for GB£9,450,000 (US$18.43 million).

The 2006 album by the jazz group Acoustic Ladyland, Skinny Grin, features one of his works, Portrait of The Dancer Alexander Sacharoff, as its cover art.

The five CD's issued by CPO with the complete string quartets by the Polish composer Mieczysław Weinberg (1919–1996), and played by the Quatuor Danel, all have a female portrait by von Jawlensky on their cover. Volume 1 shows "Frauenbildnis" (1909). Volume 2 has "Kind mit blauen Augen". Volume 3 has "Weiblicher Kopf" (1912). Volume 4 has "Spanierin" (1911). And volume 5 shows "Mädchen mit Haube" (1910).

Works
Paintings by von Jawlensky are displayed in galleries and museums around the world. The Museum Ostwall in Dortmund, Germany, maintains a collection of exceptional depth.

From Wikipedia, the free encyclopedia

 
 
 
 


Jawlensky's Young Girl in a Flowered Hat, Smarthistory
 
 
 
 


Schokko with Red Hat, 1909





Portrait of Alexander Sakharoff, 1909




Schokko with Wide Brimmed Hat, 1910




Violet Turban, 1911



Self-Portrait, 1912




Head in Blue, 1912



Variation, 1916




Savior's Face: Martyr, 1919




Astonishment, 1919, Norton Simon Museum, Pasadena, California






Self-Portrait, 1912






Young Girl






Helen






Spanish Woman with Eyes Closed, c.1913






Mystical Head: Meditation







Young Girl







Schlafende Frau






Head of An Italian Woman witih Black Hair from the Front






Young Girl






Junges Mädchen mit den grünen Augen c 1910







Still LIfe with Begonia

 
 
 

Dark Blue Turban (Helene with Dark Blue Turban)
1910



Lady in a Yellow Straw Hat
1910



Savior's Face
1917



Mystical Head (Head of a Girl)
1917



Head of a Young Man (Called Hercules)
1912




Landscape with a Red Roof
1911



Head
1910



Spanish Woman
1913



Young Woman




Head of a Girl



Woman with a Fan





Girl in a Grey Apron
1909



Meditation (The Prayer)
1922




Love
1925




Abstract Head
1929






Symphony in Pink
1929




Meditation: Yellow Head
1936





Solitude
1912



Still-life with Hyacinths and Oranges




Still Life with a Vase and a Mug
1909




Still Life with Plums
1910




Stormy Pine Trees at Prerow
1911


 



Hills
1912


 



Still Life with Red Flowers (Yellow Figure and Cup)
1912




The Village St. Prex
1916




Mediterranean Coast
1917





Variation: Fresh and Ringing

 
 
 

 
 
 
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