Aubrey Beardsley

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Aubrey Beardsley

Aubrey Beardsley, 1895
Aubrey Beardsley, in full Aubrey Vincent Beardsley (born August 21, 1872, Brighton, Sussex, England—died March 16, 1898, Menton, France), the leading English illustrator of the 1890s and, after Oscar Wilde, the outstanding figure in the Aestheticism movement.

Drawing was a strong interest from early childhood, and Beardsley practiced it while earning his living as a clerk. Beardsley’s meeting with the English artist Sir Edward Burne-Jones in 1891 prompted him to attend evening classes at the Westminster School of Art for a few months, his only professional instruction.

Aubrey Beardsley by Jacques-Émile Blanche.

In 1893 Beardsley was commissioned to illustrate a new edition of Sir Thomas Malory’s Le Morte Darthur, and in 1894 he was appointed art editor and illustrator of a new quarterly, The Yellow Book. His illustrations (1894) for Oscar Wilde’s play Salomé won him widespread notoriety. He was greatly influenced by the elegant, curvilinear style of Art Nouveau and the bold sense of design found in Japanese woodcuts. But what startled his critics and the public alike was the obvious sensuality of the women in his drawings, which usually contained an element of morbid eroticism. This tendency became pronounced in his openly licentious illustrations (1896) for Aristophanes’ Lysistrata.

Although Beardsley was not homosexual, he was dismissed from The Yellow Book as part of the general revulsion against Aestheticism that followed the scandal surrounding Wilde in 1895. He then became principal illustrator of another new magazine, The Savoy, and he illustrated numerous books, including in 1896 Alexander Pope’s Rape of the Lock. During this period he also wrote some poems and a prose parody, Under the Hill (1903; the original, unexpurgated version, The Story of Venus and Tannhauser, appeared in 1907).

Delicate in health from the age of six, when he first contracted tuberculosis, Beardsley again fell victim to the disease when he was 17. From 1896 he was an invalid. In 1897, after being received into the Roman Catholic church, he went to live in France, where he died at age 25. His work has enjoyed periodic revivals, most notably during the 1960s.

Encyclopædia Britannica


Aubrey Beardsley

The Ascension of Saint Rose of Lima

The Barger, from The Rape of the Lock

The Baron's Prayer, for The Rape of the Lock

The Bathers

The Battle of the Beaux and the Belles, for The Rape of the Lock

The Cave of Spleen, for The Rape of the Lock

The Coiffing, illustrating Beardsley's poem 'The Ballad of Barber'

The Dancer

The Death of Pierrot

The Dream, for The Rape of the Lock


The Driving of Cupid from the Garden. Design for the front

The Fall of the House of Usher

The Fourth Tableau of 'Das Rheingold'. Design for the front wrapper of The ....

The Idler's Club

The lady at the Dressing Table

The Man that holds the Watering Pot, for St Paul's

The Murders in the Rue Morge

The New Star, for The Rape of the Lock

The Return of Tannhauser to the Venusberg

The Scarlet Pastorale


The Slippers of Cinderella

The Story of Venus and Tannhauser

The Third Tableau of das Rheingold

The Three Musians

The Three Musians

The Toilet

The Toilet, for the Rape of the Lock

The Wagnerites

Title-page of of The Yellow Book. Vol. III

The fat woman

The Black Cat

Siegfried, Act II