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  Hugo Wolf  
 
 
 
 
 
 
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Hugo Wolf
 
 
 
 
Hugo Wolf, in full Hugo Philipp Jakob Wolf (born March 13, 1860, Windischgraz, Austria [now Slovenj Gradec, Slovenia]—died Feb. 22, 1903, Vienna), composer who brought the 19th-century German lied, or art song, to its highest point of development.

Wolf studied at the Vienna Conservatory (1875–77) but had a moody and irascible temperament and was expelled from the conservatory following his outspoken criticism of his masters. In 1875 he met the composer Richard Wagner, from whom he received encouragement. He met Johannes Brahms in 1879, and from him also he received encouragement and the urging to broaden his musical focus and his career. He was also a friend of Gustav Mahler as a young man. In the late 1870s Wolf apparently contracted the syphilis that was to cripple and kill him. In the repeated relapses of the disease, Wolf would enter deep depressions and was unable to compose, but during remissions he was radiant and highly inspired. In 1883 Wolf became music critic of the Wiener Salonblatt; his weekly reviews provide considerable insight into the Viennese musical world of his day.



 

His early songs include settings of poems by J.W. von Goethe, Nikolaus Lenau, Heinrich Heine, and Joseph von Eichendorff. In 1883 he began his symphonic poem Penthesilea, based on the tragedy by Heinrich von Kleist. From 1888 onward he composed a vast number of songs on poems of Goethe, Eduard Friedrich Mörike, and others. The Spanisches Liederbuch (“Spanish Songbook”), on poems of P.J.L. von Heyse and Emanuel von Geibel, appeared in 1891, followed by the Italienisches Liederbuch (part 1, 1892; part 2, 1896). Other song cycles were on poems of Henrik Ibsen and Michelangelo. His first opera, Corregidor (1895; composed on a story by Pedro Antonio de Alarcón), was a failure when it was produced at Mannheim in 1896; a revised version was produced at Strasbourg in 1898. His second opera, Manuel Venegas, also after Alarcón, remained unfinished.

Wolf ’s reputation as a song composer resulted in the formation in his lifetime of Wolf societies in Berlin and Vienna. Yet the meagre income he derived from his work compelled him to rely on the generosity of his friends. In 1897, ostensibly following upon a rebuke from Mahler but actually on account of growing signs of insanity and general paresis, he was confined to a mental home. He was temporarily discharged in 1898, but soon afterward he unsuccessfully attempted to commit suicide, and in October 1898 he requested to be placed in an asylum in Vienna.

Wolf wrote about 300 songs, many published posthumously. Of his first 100—from his early years—he only counted a handful worthwhile. But his output in the mature years was supremely original, in the finest tradition of the German lied. Wolf excelled at creating vocal melodic lines that express every emotional nuance of a given poetic text. The atmosphere of his songs ranges from tender love lyrics to satirical humour to deeply felt spiritual suffering. The vocal melodic line is subtly combined with strikingly original harmonies in the piano accompaniment, resulting in Wolf’s remarkable fusion of music and speech. His instrumental works were more interesting for their underlying ideas than for their execution; they included the Italian Serenade for orchestra (1892; a transcription of the serenade for string quartet of 1887).

Encyclopædia Britannica
 
 
 
 
 
Hugo Wolf "String Quartet in D minor"
 
1. Grave - Leidenschaftlich bewegt
2. Scherzo - Resolut
3. Langsam
4. Sehr lebhaft
Quaertetto Prometeo:
Giulio Rovighi, Aldo Campagnari, violin
Massimo Piva, viola-Francesco Dillon, cello
 
 
 
 
 
 
 
 
Hugo Wolf The Complete Songs Volume 6
 
a selection of 4 songs taken from Stone Records Wolf Complete Songs Edition
from 0'00 'An'
from 2'53 'Traurige Wege'
from 7'20 'Herbst'
from 10'50 'Herr, was tragt der Boden hier'
 
 
 
 
 
 
 
 
Five Songs from Mörike Lieder - Hugo Wolf
 
Gebet
In der Frühe
Fussreise
Um Mitternacht
Der Tambour

Video Recording
Sasha Cooke, mezzo-soprano
Naoki Hakutani, piano

 
 
 
 
 
 
 
 
Hugo Wolf - Six Eichendorff Songs - Sung by Barry McDaniel
 
The songs are:
- Der Musikant
- Verschwiegene Liebe
- Heimweh
- Der Soldat I and II
- Ständchen
 
 
 
 
 
 
 
 
Christa Ludwig sings Hugo Wolf
 
Mignon Songs
Heiss mich nicht redden 2:55
Nur wer die Sehnsucht 2:32
So lasst mich scheinen 3:17
Kennst du das Land 5:52
Christa Ludwig, mezzo-soprano / Erik Werba, piano

WOLF - Italian Songbook
Auch kleine Dinge 2:20
Mir ward gesagt 1:53
Wir haben beide 2:08
Mein Liebster singt 1:40
Man sagt mir 1:11
Wie soll ich frohlich sein 1:53
Was soll der Zorn 1:54
Wohl kenn' ich euren stand 2:10
Wenn du, mein Liebster 1:47
Gesegnet sei das grun 1:34
Ich hab' in Penna 1:53
Christa Ludwig, soprano / Daniel Barenboim, piano

 
 
 
 
 
 
 
 
Hugo Wolf - "Kennst du das Land"
 
Elisabeth Schwarzkopf (soprano)
Gerald Moore (piano)
Live Recital, Salzburg 1958
 
 
 
 
 
 
 
 
Hugo Wolf -  Italian Serenade
 
Nonamé Quartet
Violin I: Arianna Warsaw-Fan
Violin II: Ritchie Zah
Viola: Hari Bernstein
Cello: Meta Weiss
 
 
 
 
 
 
 
 
Eight Songs of Phantasmagoric Nature by Hugo Wolf (Eichendorff lieder)
 
Ryan de Ryke, baritone, and Michael Sheppard, piano (from a house-concert on 11/18/12 in Baltimore) (text by Josef von Eichendorff; English translations below each of the song titles)
 
 
 
 
 
     
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