Emile Waldteufel  
Emile Waldteufel
Emile Waldteufel (9 December 1837 – 12 February 1915) was a French pianist, conductor and composer of dance music.
Émile Waldteufel (German for forest devil) was born in Strasbourg to a Jewish Alsatian family of musicians. The original surname of the family was Lévy. His father Louis had a respected orchestra, and his brother Léon was a successful performer. When Léon won a place to study violin performance at the Conservatoire de Paris, the family followed him there. It was in Paris that Waldteufel spent the rest of his life.

Waldteufel studied the piano at the Conservatoire de Paris from 1853 to 1857. Among his fellow pupils was Jules Massenet. During his time at the conservatory, Louis Waldteufel's orchestra became one of the most famous in Paris, and Émile was frequently invited to play at important events.

At the age of 27, Émile became the court pianist of the Empress Eugénie. He also led the orchestra at state balls. After the Franco-Prussian War had dissolved the Second French Empire, the orchestra played at Presidential balls at the Élysée. At this time only a few members of the French high society knew of Émile; he was nearly 40 before he became better known.

In October 1874 Waldteufel played at an event that was attended by the then Prince of Wales, future King Edward VII of the United Kingdom. The Prince was enthralled by Waldteufel's "Manolo" waltz, and was prepared to make Waldteufel's music known in Britain. A long-term contract with the London-based editor Hopwood & Crew followed. Part of the company belonged to Charles Coote, director of the Coote & Tinney’s Band, the first dance orchestra in London. Through these means, Waldteufel's music was played at Buckingham Palace in front of Queen Victoria. Waldteufel dominated the music scene in London and became world-famous. During this period he composed his best known works, many of which are still heard today around the world. He became best known for the waltz "Les Patineurs" (The Ice Skaters), composed in 1882.

His waltz Dolorès (op. 170; 1880) was the basis for the Russian romance Honey, do you hear me (ru: «Милая, ты услышь меня»).

Waldteufel gave concerts in several European cities, such as London in 1885, Berlin in 1889 and the Paris Opéra Balls in 1890 and 1891. He continued his career as conductor and writing dance music for the Presidential Balls until 1899 when he retired.

In 1915 Waldteufel died in Paris at the age of 77. His wife, Célestine Dufau, a former singer, had died a year earlier. They had two sons and a daughter.

Waldteufel conducted with a stick rather than the then-customary violin bow. His compositions were first created at the piano and later orchestrated. The typical Waldteufel orchestra consisted of strings and a doubled woodwind section, two cornets, four horns, three trombones, and ophicleide or euphonium, along with percussion.

Waldteufel's music can be distinguished from Johann Strauss II's waltzes and polkas in that he used subtle harmonies and gentle phrases, unlike Strauss's more robust approach. It was considered that Waldteufel's music was not revolutionary, which explained why his waltzes fell out of favor as the age of Impressionism came to Paris.

A biography of the Waldteufel family by Andrew Lamb was published in 1995.

From Wikipedia, the free encyclopedia

Lo mejor de Emile Waldteufel
Waltz "A Day in Seville" (Emile Waldteufel)
Waltz "Estudiantina" (Emile Waldteufel)
Emile Waldteufel - Acclamations,Valse Op.223
Emile Waldteufel - Mon Rêve (Waltz, op.151)
Emile Waldteufel - España (Waltz, Op.236)
Emile Waldteufel - Valse Les Violettes Op.148
Emile Waldteufel - Amour et Printemps (Walzer, Waltz)
Emile Waldteufel - Valse Dolores,Op.170
Emile Waldteufel - Flots de Joie (Waltz, Op.145)
Emile Waldteufel - Vision (Waltz, Op.235)
Emile Waldteufel - Pomone (Waltz, Op.155)
Emile Waldteufel - Tout Paris (Walzer, Waltz, op. 240)
Emile Waldteufel - Les Sourires (Walzer, Waltz, op.187)
Emile Waldteufel - Bonne Bouche (Polka Op.163)
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