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Thomas Tomkins
 
 
 
Thomas Tomkins (1572 – 9 June 1656) was an English composer of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English madrigal school, he was a skilled composer of keyboard and consort music, and the last member of the English virginalist school.

Life

Tomkins was born in St David's in Pembrokeshire in 1572. His father, also Thomas, who had moved there in 1565 from the family home of Lostwithiel in Cornwall, was a vicar choral of St David's Cathedral and organist there. Three of Thomas junior's half-brothers, John, Giles and Robert, also became eminent musicians, but none quite attained the fame of Thomas. By 1594, but possibly as early as 1586, Thomas and his family had moved to Gloucester, where his father was employed as a minor canon at the cathedral. Thomas almost certainly studied under William Byrd for a time, for one of his songs bears the inscription: To my ancient, and much reverenced Master, William Byrd, and it may have been at this period of his career, since Byrd leased property at Longney, near Gloucester. Although documentary proof is lacking, it is also possible that Byrd was instrumental in finding young Thomas a place as chorister in the Chapel Royal. In any case, all former Chapel Royal choristers were required to be found a place at university, and Tomkins was affiliated to Magdalen College, Oxford in 1607.

Worcester Cathedral

But already in 1596 he had been appointed organist and master of the choristers at Worcester Cathedral. The next year he married Alice Patrick, a widow nine years his senior, whose husband Nathaniel, who died in 1595, had been Tomkins' predecessor at Worcester. Thomas's only son, Nathaniel, was born in Worcester in 1599, where he was to spend the rest of his life and become a respected musician.
Tomkins was doubtless acquainted with Thomas Morley, also a pupil of Byrd's, for his signed copy of Morley's publication Plaine and Easie Introduction to Practicall Musicke (1597) has been preserved, together with Thomas's many annotations; and in 1601 Morley included one of Tomkins' madrigals in his important collection The Triumphs of Oriana.
In 1612 Tomkins oversaw the construction in Worcester cathedral of a magnificent new organ by Thomas Dallam, the foremost organ-builder of the day. He continued writing verse anthems, and his collection of 28 madrigals, the Songs of 3, 4, 5 and 6 parts was finally published in 1622 with a dedicatory poem by his half-brother John Tomkins (circa 1587-1638), now organist of King's College, Cambridge (later of St Paul's and of the Chapel Royal), with whom Thomas maintained an intimate and loving relationship.
Probably by about 1603 Thomas was appointed a Gentleman Extraordinary of the Chapel Royal. This was an honorary post, but in 1621 he became a Gentleman Ordinary and organist under his friend and senior organist, Orlando Gibbons. The duties connected with this post included regular journeys between Worcester and London, which Tomkins performed until about 1639.

On James I's death in March 1625 Tomkins, with other Gentlemen of the Chapel Royal, was required to attend to both the music for James's funeral and that for the coronation of Charles I. These monumental tasks proved too much for Gibbons, who died of a stroke in Canterbury, where Charles was supposed to meet his future bride, Henrietta Maria of France, placing an even greater strain on Tomkins. Because of plague, the coronation was luckily postponed until February 1626, giving Tomkins time to compose most of the eight anthems sung at the ceremony.
In 1628 Tomkins was named "Composer of [the King's] Music in ordinary" at an annual salary of £40, succeeding Alfonso Ferrabosco the younger who died in March that year. But this prestigious post, the highest honour available to an English musician, was quickly revoked on the grounds that it had been promised to Ferrabosco's son. This shabby treatment was to be only the first of a series of adversities that overtook the composer for the last fourteen years of his life. He continued, however, to perform his dual duties at Worcester and London until 1639.
Tomkins' devoted wife Alice died in 1642, the year civil war broke out. Worcester was one of the first casualties: the cathedral was desecrated, and Tomkins' organ badly damaged by the Parliamentarians. The following year Tomkins' house near the cathedral suffered a direct hit by cannon shot, making it uninhabitable for a long period, and destroying most of his household goods and probably a number of his musical manuscripts. About this time Tomkins married his second wife Martha Browne, widow of a Worcester Cathedral lay clerk.

Further conflict and a siege in 1646 caused untold damage to the city. With the choir disbanded and the cathedral closed, Tomkins turned his genius to the composition of some of his finest keyboard and consort music; in 1647, he wrote a belated tombeau or tribute to Thomas Wentworth, 1st Earl of Strafford, and a further one to the memory of William Laud, Archbishop of Canterbury, both beheaded in 1641, and both admired by Tomkins. Charles I was executed in 1649, and a few days later Tomkins, always a royalist, composed his superb Sad Pavan: for these distracted times. His second wife Martha died around 1653, and deprived of his living, Tomkins, now 81, was in serious financial difficulties. In 1654 his son Nathaniel married Isabella Folliott, a wealthy widow, and Thomas went to live with them in Martin Hussingtree, some four miles from Worcester. He expressed his gratitude by composing his Galliard, The Lady Folliot's in her honour. Two years later he died and was buried in the churchyard of Martin Hussingtree on 9 June 1656.


Works

Tomkins wrote madrigals, keyboard music, consort music, anthems, and liturgical music. Stylistically he was extremely conservative, even anachronistic: he seems to have completely ignored the rising Baroque practice around him, with its Italian-inspired idioms, and he also avoided writing in most of the popular forms of the time, such as the lute song, or ayre. His polyphonic language, even in the fourth decade of the 17th century, was frankly that of the Renaissance. Some of his madrigals are extremely expressive, with text-painting and chromaticism worthy of Italian madrigalists such as Marenzio or Luzzaschi.

He was also a prolific composer of verse anthems, writing more than any other English composer of the 17th century except for William Child. These pieces were highly regarded at the time, and are well represented in contemporary manuscript collections. Fortunately for the survival of his music, his son Nathaniel edited most of it and published a huge collection of it (titled Musica Deo sacra et ecclesiae Anglicanae; or Music dedicated to the Honor and Service of God, and to the Use of Cathedral and other Churches of England) in 1668, after his death; much of it otherwise would have been lost during the Civil War.

 
 
 
 
Thomas Tomkins - When David Heard
 
When David heard that Absalom was slain
He went up into his chamber over the gate and wept,
And thus he said:
My son Absalom
O Absalom my son,
Would God I had died for thee.
 
 
 
 
 
 
 
 
Magnificat (5th Service) - Thomas Tomkins
 
 
 
 
 
 
Funeral Sentences - Thomas Tomkins (1572 - 1656) with subtitles
 
 
 
 
 
 
Thomas Tomkins - My shepherd is the living Lord.
 
 
 
 
 
 
Thomas Tomkins "Fancy for two to play" Harpsichord four hands
 
 
 
 
 
 
 
SEE,SEE THE SHEPHERDS' QUEEN Thomas Tomkins
 
 
 
 
 
 
O Sing Unto The Lord, Thomas Tomkins
 
 
 
 
 
Thomas Tomkins Organ Voluntary, Laurence Cummings
 
 
 
 
 
 
Thomas Tomkins / Denis Stevens, 1960: Thou Art My King, O God
 
 
 
 
 
 
Thomas Tomkins-Fortune My Foe-Bernhard Klapprott, Cembalo
 
 
 
 
 
 
 
Thomas Tomkins-Galliard in a-Bernhard Klapprott, Virginal
 
 
 
 
 
 
Thomas Tomkins - Sad Pavan for these distracted times'
 
 
 
 
 
 
Thomas Tomkins - Too much I once lamented - Vokalschlag Köln
 
 
 
 
 
 
Thomas Tomkins - 'My beloved spake'. Worcester Cathedral choir
 
Worcester Cathedral choir
Organist - Raymond Johnston. Director - Donald Hunt.

My beloved spake, and said unto me, Rise up my love, my fair one, and come away. For lo, the winter is past, the rain is over and gone. The flowers appear on the earth, the time of the singing of birds is come, and the voice of the turtle is heard in our land. The fig tree putteth forth her green figs, and the vine with her tender grapes give a sweet smell. Arise my love, my fair one, and come away.
Song of Solomon 2: 10-13.

 
 
 
 
 
 
     
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