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Pablo de Sarasate
 
 
 
Pablo Martín Melitón de Sarasate y Navascués (Spanish pronunciation: [ˈpaβlo saɾaˈsate]; 10 March 1844 – 20 September 1908) was a Spanish violinist and composer of the Romantic period.


Career

Pablo Sarasate was born in Pamplona, Navarre, the son of an artillery bandmaster. He began studying the violin with his father at the age of five and later took lessons from a local teacher. His musical talent became evident early on and he appeared in his first public concert in A Coruña at the age of eight. His performance was well-received, and caught the attention of a wealthy patron who provided the funding for Sarasate to study under Manuel Rodríguez Saez in Madrid, where he gained the favor of Queen Isabella II. Later, as his abilities developed, he was sent to study under Jean-Delphin Alard at the Paris Conservatoire at the age of twelve. There, at seventeen, Sarasate entered a competition for the Premier Prix and won his first prize, the Conservatoire's highest honour. (There was not another Spanish violinist to achieve this until Manuel Quiroga did so in 1911; Quiroga was frequently compared to Sarasate throughout his career.)

Sarasate, who had been publicly performing since childhood, made his Paris debut as a concert violinist in 1860, and played in London the following year. Over the course of his career, he toured many parts of the world, performing in Europe, North America, and South America. His artistic pre-eminence was due principally to the purity of his tone, which was free from any tendency towards the sentimental or rhapsodic, and to that impressive facility of execution that made him a virtuoso. In his early career, Sarasate performed mainly opera fantasies, most notably the Carmen Fantasy, and various other pieces that he had composed. The popularity of Sarasate's Spanish flavour in his compositions is reflected in the work of his contemporaries. For example, the influences of Spanish music can be heard in such notable works as Édouard Lalo's Symphonie Espagnole which was dedicated to Sarasate; Georges Bizet's Carmen; and Camille Saint-Saëns' Introduction and Rondo Capriccioso, written expressly for Sarasate and dedicated to him.

Of Sarasate's idiomatic writing for his instrument, the playwright and music critic George Bernard Shaw once declared that though there were many composers of music for the violin, there were but few composers of violin music. Of Sarasate's talents as performer and composer, Shaw said that he "left criticism gasping miles behind him". Sarasate's own compositions are mainly show-pieces designed to demonstrate his exemplary technique. Perhaps the best known of his works is Zigeunerweisen (1878), a work for violin and orchestra. Another piece, the Carmen Fantasy (1883), also for violin and orchestra, makes use of themes from Georges Bizet's opera Carmen. Probably his most performed encores are his two books of Spanish dances, brief pieces designed to please the listener's ear and show off the performer's talent. He also made arrangements of a number of other composers' work for violin, and composed sets of variations on "potpourris" drawn from operas familiar to his audiences, such as his Fantasia on La forza del destino (his Opus 1), his "Souvenirs of Faust", or his variations on themes from Die Zauberflöte. In 1904 he made a small number of recordings. In all his travels Sarasate returned to Pamplona each year for the San Fermín festival.
Sarasate died in Biarritz, France, on September 20, 1908, from chronic bronchitis. He bequeathed his violin, made by Antonio Stradivari in 1724, to the Musée de la Musique. The violin now bears his name as the Sarasate Stradivarius in his memory. His second Stradivari violin, the Boissier of 1713, is now owned by Real Conservatorio Superior de Música, Madrid. Among his violin pupils was Alfred De Sève. The Pablo Sarasate International Violin Competition is held in Pamplona.

A number of works for violin were dedicated to Sarasate, including Henryk Wieniawski's Violin Concerto No. 2, Édouard Lalo's Symphonie Espagnole, Camille Saint-Saëns' Violin Concerto No. 3 and his Introduction and Rondo capriccioso, Max Bruch's Scottish Fantasy, and Alexander Mackenzie's Pibroch Suite. Also inspired by Sarasate is William H. Potstock's Souvenir de Sarasate.

Appearance in other art forms
James Whistler's Arrangement in Black: Pablo de Sarasate (1884) is a portrait of Pablo Sarasate.
In Arthur Conan Doyle's short story The Red-Headed League (1891), Sherlock Holmes and Dr. John H. Watson attend a concert by Sarasate.
Sarasate is a major figure in Murder to Music, a Sherlock Holmes pastiche by Anthony Burgess. Holmes is also mentioned as attending a Sarasate concert in The Treasure Train by Frankie Thomas.
In Edith Wharton's 1920 novel The Age of Innocence, set in 1870s New York, the main protagonist is invited to a private recital to be given by Sarasate.
Zigeunerweisen is the title of Seijun Suzuki's 1980 movie, the first of the so-called Taisho Trilogy. A recording of the air of the same title by Sarasate, and his that can be heard on the recording, are one of the themes of the movie.

From Wikipedia, the free encyclopedia

 
 
 
 
 
Itzhak Perlman Sarasate Zigeunerweisen
 
Itzhak Perlman and James Levine collaborate for an outstanding rendition of Sarasate's virtuosic fiddle showpiece.
 
 
 
 
 
 
 
 
Jascha Heifetz - Pablo de Sarasate, Zigeunerweisen Op.20
 
 
 
 
 
 
 
 
Zigeunerweisen op.20 By Pablo de Sarasate
 
 
 
 
 
 
 
 
Zigeunerweisen Sarah Chang
 
 
 
 
 
 
 
 
Pablo de Sarasate - Navarra
 
Navarra, for 2 violins & orchestra
("Spanish Dance") Op. 33
Yi Li, violin
Ning Feng, violin
 
 
 
 
 
 
 
 
Pablo de Sarasate: Navarra with Gimnazija Kranj Symphony orchestra
 
Gimnazija Kranj Great Christmas Concert 2009. Gallus Hall. Solo violin: Matjaž Bogataj and Oksana Pečeny. Great and passionate performance. Gimnazija Kranj Symphony Orchestra, conductor: Nejc Bečan. Concert direction: Primož Zevnik
 
 
 
 
 
 
 
 
Sarah Chang - Carmen Fantasy (Sarasate)
 
Sarah Chang and Placido Domingo
Pablo de Sarasate : Carmen Fantasy
 
 
 
 
 
 
 
 
PABLO DE SARASATE "Romanza Andaluza"
 
 
 
 
 
 
 
 
Pablo de Sarasate - Nouvelle Fantaisie sur Faust de Gounod,Op.13
 
En esta maravillosa ocasiòn les presentarè una obra hermosa denominada "Nouvelle fantaisie sur Faust de Gounod,Op.13" (en francès) ò Fantasìa sobre Faust de Gounod Op.13" del compositor español "Pablo Sarasate".

Vals de Faust desde el minuto: 9:00 - 11:55

Resùmen:

Obra.- Nouvelle fantaisie sur Faust de Gounod,Op.13
Autor.- Pablo de Sarasate

Violin.- Yang Tianwa

 
 
 
 
 
 
 
 
Pablo de Sarasate - Danza Española No.1 - Malagueña,Op.21 No.1
 
Violin.- Tianwa Yang
Piano.- Markus Hadulla
 
 
 
 
 
 
 
 
Pablo de Sarasate - Danza Española No.2 - Habanera,Op.21 No.2
 
 
 
 
 
 
 
 
Pablo de Sarasate - Danza Española No.3 - Romanza Andaluza Op.22 No.1
 
 
 
 
 
 
 
 
Pablo de Sarasate - Danza Española No.4 - Jota Navarra Op.22 No.2
 
Violin.- Tianwa Yang
Piano.- Markus Hadulla
 
 
 
 
 
 
 
 
Pablo de Sarasate - Danza Española No.6 - Zapateado Op.23 No.2
 
 
 
 
 
 
 
 
Pablo de Sarasate - Danza Española No.8 - Habanera Op.26 No.2
 
 
 
 
 
 
 
 
Pablo de Sarasate - Canciones Rusas Op.49
 
 
 
 
 
 
 
 
Pablo de Sarasate - Balada Op.31
 
Interpretación a cargo de.-
Violinista.- Rudolph Krensler
Pianista.- Desconocido
 
 
 
 
 
 
 
 
Pablo de Sarasate - Introduction Et Fandango Varié,Op.40
 
 
 
 
 
 
 
 
Pablo de Sarasate - ¡Viva Sevilla! Op.38
 
 
 
 
 
     
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