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Franz Lehar
 
 
 
 
Franz Lehar (30 April 1870 – 24 October 1948) was an Austro-Hungarian composer. He is mainly known for his operettas, of which the most successful and best known is The Merry Widow (Die lustige Witwe).


Biography

Lehár was born in the northern part of Komárom, Kingdom of Hungary, Austria-Hungary (now Komárno, Slovakia), the eldest son of Franz Lehár (senior) (1838–1898), an Austrian bandmaster in the Infantry Regiment No. 50 of the Austro-Hungarian Army and Christine Neubrandt (1849–1906), a Hungarian woman from a family of German descent. He grew up speaking only Hungarian until the age of 12. Later he put a diacritic above the "a" of his father's name "Lehar" to indicate the vowel in the corresponding Hungarian orthography.

While his younger brother Anton entered cadet school in Vienna to become a professional officer, Franz studied violin at the Prague Conservatory, where his violin teacher was Antonín Bennewitz, but was advised by Antonín Dvořák to focus on composition. However, the Conservatory's rules at that time did not allow students to study both performance and composition, and Bennewitz and Lehár senior exerted pressure on Lehár to take his degree in violin as a practical matter, arguing that he could study composition on his own later. Lehár followed their wishes, against his will, and aside from a few clandestine lessons with Zdeněk Fibich he was self-taught as a composer. After graduation in 1888 he joined his father's band in Vienna, as assistant bandmaster. Two years later he became bandmaster at Losoncz, East Slovakia, making him the youngest bandmaster in the Austro-Hungarian Army at that time, but he left the army and joined the navy. With the k.u.k. Kriegsmarine he was first Kapellmeister at Pola from 1894 to 1896, resigning in the later year when his first opera, Kukuschka (later reworked as Tatjana in 1906), premiered in Leipzig. It was only a middling success and Lehár eventually rejoined the army, with service in the garrisons at Trieste, Budapest (1898) and finally Vienna from 1899 to 1902. In 1902 he became conductor at the historic Vienna Theater an der Wien, where his operetta Wiener Frauen was performed in November of that year.

He is most famous for his operettas – the most successful of which is The Merry Widow (Die lustige Witwe) – but he also wrote sonatas, symphonic poems and marches. He also composed a number of waltzes (the most popular being Gold und Silber, composed for Princess Pauline von Metternich's "Gold and Silver" Ball, January 1902), some of which were drawn from his famous operettas. Individual songs from some of the operettas have become standards, notably "Vilja" from The Merry Widow and "You Are My Heart's Delight" ("Dein ist mein ganzes Herz") from The Land of Smiles (Das Land des Lächelns).

Lehár was also associated with the operatic tenor Richard Tauber, who sang in many of his operettas, beginning with a revival of his 1910 operetta Zigeunerliebe (de) in 1920 and then Frasquita (de) in 1922, in which Lehár once again found a suitable post-war style. Lehár made a brief appearance in the 1930 film adaptation The Land of Smiles starring Tauber. Between 1925 and 1934 he wrote six operettas specifically for Tauber's voice. By 1935 he decided to form his own publishing house, Glocken-Verlag (Publishing House of the Bells), to maximize his personal control over performance rights to his works.



 

Lehár and the Third Reich
Lehár's relationship with the Nazi regime was an uneasy one. He had always used Jewish librettists for his operas and had been part of the cultural milieu in Vienna which included a significant Jewish contingent. Further, although Lehár was Roman Catholic, his wife, Sophie (née Paschkis) had been Jewish before her conversion to Catholicism upon marriage, and this was sufficient to generate hostility towards them personally and towards his work. Hitler enjoyed Lehár's music, and hostility diminished across Germany after Goebbels's intervention on Lehár's part. In 1938 Mrs. Lehár was given the status of "Ehrenarierin" (honorary Aryan by marriage). Nonetheless, attempts were made at least once to have her deported. The Nazi regime was aware of the uses of Lehár's music for propaganda purposes: concerts of his music were given in occupied Paris in 1941. Even so, Lehár's influence was limited. It is said that he tried personally to secure Hitler's guarantee of the safety of one of his librettists, Fritz Löhner-Beda, but he was not able to prevent the murder of Beda in Auschwitz-III.

On 12 January 1939 and 30 April 1940 Lehár had personally received awards by Hitler in Berlin and Vienna, including the Goethe medal. On Hitler's birthday in 1938 Lehár had given him as a special gift a red maroquin leather volume in commemoration of the 50th performance of The Merry Widow.

Later years
He died aged 78 in 1948 in Bad Ischl, near Salzburg, and was buried there.

His younger brother Anton became the administrator of his estate, promoting the popularity of Franz Lehár's music.

Honours
- He was elected an honorary citizen of Sopron in 1940.
- In 1940 Hitler awarded him the Goethe-Medaille für Kunst und Wissenschaft.
- There is a street in Vienna named after him. Additionally, several towns in the Netherlands have named streets after him (e.g. in The Hague, Leidsche Rijn, Utrecht, Eindhoven and Tilburg). Also, there is a street in Sarajevo named after him.

Stage works
Lehár recording

In 1929 and 1934, Lehár had conducted for Odeon records The Land of Smiles and Giuditta, starring Richard Tauber, Vera Schwarz and Jarmila Novotná. A 1942 Vienna broadcast of his operetta Paganini conducted by the composer has survived, starring soprano, Esther Réthy and tenor, Karl Friedrich (de). A 1942 Berlin radio production of Zigeunerliebe with Herbert Ernst Groh, conducted by Lehár, also survives.

In 1947, Lehár conducted the Tonhalle Orchester Zürich in a series of 78-rpm recordings for English Decca (released in the U.S. by London Records) of overtures and waltzes from his operettas. The recordings had remarkable sound for their time because they were made using Decca's Full Frequency Range Recording process, one of the first commercial high fidelity techniques. These recordings were later issued on LP (in 1969 on Decca eclipse ECM 2012 and reprocessed stereo on ECS 2012) and CD. A compilation of his recordings has been released by Naxos Records.

Following the collapse of the Berlin Wall, a set of discs recording the 1939 Saarbrucken concert of Lehár's works by German State Transmitter Saarbrucken conducted by Franz Lehár himself was discovered in East German state archives. This was released on CDs by Cpo-Musikproduktion in 2000.

From Wikipedia, the free encyclopedia

 
 
 
 
 
Best of Franz Lehár Waltzes (Piano Compilation)
 
1. Bist du's, lachendes Glück (Der Graf von Luxemburg)
2. Oh Kommet doch, oh kommt, ihr Ballsirenen (Die lustige Witwe)
3. Schaun Sie freundlichst mich an (Der Graf von Luxemburg)
4. Meine Lippen, sie küssen so heiss (Giuditta)
5. Wär es auch nichts als ein Augenblick (Eva)
6. Adria-Walzer
7. Lippen schweigen (Die lustige Witwe)
8. Grützner Walzer
9. Gold und Silber
10. Wo die Lerche singt
11. Honignymphen-Walzer (Peter und Paul im Schlaraffenland / arr. & mod. by Waldteufel78)
12. Kosende Wellen (Der Zarewitsch)
13. Denn doppelt schmeckt's dem Bübchen (Der Graf von Luxemburg)
 
 
 
 
 
 
 
FRANZ LEHAR.- Melodias Maestras
 
Melodias Maestras

Vals- La viuda Alegre
Obertura- El pais de la sonrisa
Federica- Minuetto-Intermedio-Polka
Vals- Amor Gitano

Orquesta de Gilbert Vinter

Director: Gilbert Vinter

 
 
 
 
 
 
 
 
FRANZ LEHAR - La Viuda Alegre
 
La Viuda Alegre. ( Selección)

Introduction
Oh kommet doch, oh kommt, ihr Ballsirenen
Vilja, oh Vilja
Kolo ( Schreittanz)
Es waren zwei Königskinder
Ja das Studium del Weiber ist schwer
Hab´in Paris mich noch nicht....
Ich bin eine anständige Frau
Da geh ich zum Maxim
Lippen schweigen. ´s flüstern Geisen

Soprano: Lotte Rysanek
Soprano: Else Liebesberg
Soprano: Erika Mechera
Tenor: Kurt Equiluz
Tenor: Kari Terkal

Orquesta y coros de Wiener Volksoper
Director: Franz Bauer-Theussl

 
 
 
 
 
 
 
 
Franz Lehar, THE MERRY WIDOW In English 27 03 1996 - New York City Opera
 
 
 
 
 
 
 
 
Lehár - Le Pays du Sourire - Das Land des Lächelns - Avignon 1996
 
 
 
 
 
 
 
 
Lehar - Der Graf von Luxemburg - Wächter - Sukis - Kunz - Film 1973
 
 
 
 
 
 
 
 
Franz Lehar - Medley
 
Violin: Katica Illenyi (Illényi Katica)
Győr Philharmonic Orchestra
Conductor: Istvan Sillo (Silló István)
Franz Lehar: Medley
 
 
 
 
 
 
 
 
Maria Callas "Vilja-Lied" Franz Lehár
 
Maria Callas sings "Vilja-Lied" by Franz Lehár
live Rio de Janeiro
 
 
 
 
 
     
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