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Piero della Francesca

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Gothic and Early Renaissance
 
 
 
Piero della Francesca
 
 
 
(b Borgo San Sepolcro [now Sansepolcro], c. 1415/20; bur Borgo San Sepolcro, 12 Oct 1492).

Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.

 
 
 
 

Baptism of Christ
1448-50
National Gallery, London



St Jerome and a Donor
1451
Gallerie dell'Accademia, Venice



The Penance of St. Jerome
1450
Staatliche Museen, Berlin



St. Julian
1455-60
Pinacoteca Comunale, Sansepolcro




Saint Mary Magdalen
1460
Duomo, Arezzo


The Flagellation
c. 1455
Galleria Nazionale delle Marche, Urbino



Ideal City
c. 1470
Galleria Nazionale, Urbino



Nativity
c. 1470
National Gallery, London

 
 
 

Resurrection
1463-65
Pinacoteca Comunale, Sansepolcro

 



Polyptych of Saint Augustine
1460-70

 


Polyptych of Saint Augustine
1460-70



Polyptych of St Anthony
1460-70
Galleria Nazionale dell'Umbria, Perugia




Polyptych of St Anthony
1460-70
Galleria Nazionale dell'Umbria, Perugia



Polyptych of St Anthony
1460-70
Galleria Nazionale dell'Umbria, Perugia

 


Polyptych of St Anthony
1460-70
Galleria Nazionale dell'Umbria, Perugia

 
 
 

 
 
 
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